In recent years, a plethora of British neo-country acts have surfaced, often providing a pleasant alternative to the now-waning indie rock obsession of the ‘00s. Full Tonne Kidd are one such act. “Candy Apple” is an absorbing debut release from the Glasgow-based quartet.
Intrinsic to the success of this album is the band’s overall ability to keep it simple while not losing the listener’s attention. Lyrical and vocal duties are split between Gary Carmichael and Colin Fullerton, who both manage to pull off an authentic mock-country drawl. “Catch Me If You Can” is early evidence of the winning formula.
There’s a cute irony in saying that “Winter” has a cosy feel to it but this breezy slow-burner has a warmth to it that will become more and more apparent as the year reaches its coldest point. By contrast, “Show Me the Money” has a countrified swagger to it that could be conducive to future bar room brawls. From Dallas to Dalmarnock, it’s all the bloody same, isn’t it?
“Every Muscle” reaches bluesy territory, taking a welcome change of pace with some nice slide guitar to be heard, while “Outside Looking In” paints a potentially unpleasant scene in comic fashion. Once again, Fullerton’s vocals play a big part in the song’s appeal. Finally, “Rock Bottom” goes full-on electric, with Carmichael and Fullerton sharing vocal duties as they bring down the curtain.
A true cynic might lament the absence of a duet with a female vocalist but with such a strong vocal showing already captured, such a happening may only have been considered a bonus. “Candy Apple” is quite the treat, though more food for the ears than for the mind or mouth. Get it bought.