Song reviews

Indie rock is a genre that has fallen out of fashion yet Habberdash are nothing less than another indie rock band. “Like A Lover” may not therefore give anyone a surprise but at least the band has a certain volume dependent honesty in their favour.

As if casually drifting in and out of a reality haze, Koyo pepper “Jettisoned” with familiar analogue synth sounds and post-midnight post Madchester psychedelic experiences. In a kebab shop in a galaxy far far way, this is playing right now.

“Take Me to the Disco” may well be bedsit electronica but Meg Myers has successfully infused her song with enough alienation angst and urban melancholia to make you want to call her on the phone right here right now.

“West Coast” seems more thoughtful reflection than a mere pop song with an appealing sense of scale lifting the song confidently towards anthem status. Add in some Britpop style literate lyrics and Ennor will convince you

Old school musicality distinguishes “Firefly” by The Jim Reynolds Band with enough laidback melody evident to attract the ears of those for whom seventies adult oriented rock has never, or will ever, die. The song is a soundtrack to a summer breeze.

Sweet sentimentality mixes with melancholy as Sophie Colette shows us just what is in her song writing heart and there is just enough wistfulness in her voice to gain escape velocity from the orbit of planet coffee shop.

I was about to class “Dreamers of the Night” by Brighton band Levity as upbeat indie rock but the song is too good for that justly maligned genre. The song isn’t different enough to scare you but a lot of work and imagination has clearly gone into making it different from the crowd.

Pleasingly sludgy, Little Junior twist that perennially popular guitar pop sound all out of shape with their song “Crooked Teeth”. This might well be more posturing than anger but it grinds against you all the same.

Guilt Coins score bonus points for managing to mature the indie rock sound in a cask of power pop influences to thus allow their song “Iza Crime” to emerge into the singalong sunshine with both immediate appeal and hidden depths.

“Circles” introduces us to the laidback rock sound of Glasgow band Red Hearted Vibrations. The song seems more American than Scottish in presentation but the female vocals are notably appealing to the ear. That said, a bit of editing to trim the fat from the six minute running time would have been beneficial.

“Necessaries” is as low key and wistful a song as a hipster might want in these troubled times but even those without an ear for fashion will find the grace and poise of Many Voices Speak more than sufficient reason to pay attention.

Doing the downbeat melancholy thing is always popular with singer songwriters the world over and Endika Sangroniz throws his heart into the ring with his song “You Never Knew Me”. No surprises therefore but a fair amount of emotional intensity keeps your interest.