Song reviews

Stripped of everything other than intensity, Animalia turns up the emotion and angst and takes her song “Paradise” off for a walk betwixt the twilight zone and sunrise. There’s art in her madness and that, dear friends, surely is the point.

When you are entering the mainstream you have to be tough in all that you do and Canada’s Michaela May takes such a robust approach to her song “1954” that she very nearly obscures the sharper than you might expect lyrics. Her song may well be made of plastic but her heart and mind are clearly not.

Not one for brevity, Güney Hanedan goes large on the robotic rhythmic repetition to take his song “We Will Be Forgotten” all the way from Turkey to the street where Vangelis used to live. The sequencer might well be holding the song together but it is the wandering guitar that gets it back on track.

I like edgy guitar pop and was thus far from disappointed with Canada’s Jo Passed and their, or more likely his, song “Lego My Ego”. Melody has, fortunately, not been forgotten and the song has no problem finding the yellow brick road.

A Lithuanian band, Justin 3 sound like they want to be from America with their song “Take Me Down” having more than enough rough edged musical value to pay for that flight to the good old US of A.

Robust to the point of being macho, Slowtalk strut their stuff all the way through their riff laden song “Zombie”. Out front, the singer seeks deeper meaning but it is the guitarist who know what the song needs (and wants).

The band might well be from Russia but their song “Omut” is more of Europe with just enough purposeful electronic robotocism to make a dance floor remix almost inevitable while the fine female vocals put heart into the song.

Kind of thoughtful yet insistently radio friendly, Norway’s Marie Munroe uses her song “Can’t Go Back” to demonstrate that drama and the pop song can go together. That’s a good thing without a doubt.

Respectful to the conventions of the genre, Signe Marie Rustad nonetheless puts more energy into her song “The Truth” than most with an adoration of the past might do. Her voice strikes out in a manner both high and clear and, ably assisted by her male vocal counterpoint Annar, she heads out on to the highway of life.

Whilst revelling in the all the spacious intimacy that the acoustic can supply, Canada’s Merival imbues “A Better Deal” with a sense of isolation that seems more of the city than the heart. The lady puts her best foot forward and steps into the shadows.

“Royal Jelly” is one of those songs that just oozes sleaze with every grungy note somehow sounding depraved so crank the volume up and Deap Valley will take you for a walk on the wild side.

Downbeat almost to the point of being bleak, Jade The Moon leads her synth-pop song “U Take Care” into the urban shadows for a rather gothic reflection on matters of the heart. The emotional intensity is there for all to hear and it would seem that obsession is a good thing even if only as the inspiration for a song.