Song reviews

It’s all there on the canvas as Gabrielle Papillon paints a picture of melancholy and repressed emotion and calls it “Got You Well”. It’s a song good enough to make you wonder why everyone hasn’t heard of her.

Not sure if this song is meant to be ironic but, nonetheless, Ryder uses her endearingly quirky voice to sprinkle some sonic sugar on “Pretty Little Gangster”. Some might well mistake this for the simple sweetening of another urban princess yet the more discerning may hear deeper meaning and European electro pop influences.

Following the white line up the middle of the high street, Pullman Standard clearly know the value of avoiding surprises and “Starting Static” therefore meets the requirements for both mainstream radio play and Saturday night talent show television. Their future is so bright that they will have to wear shades.

Lumpen and lo-fi, You Left End Of Story follow the yellow brick road in search of an unhappy ending while their, or more likely his, song “Who The Fuck Do You Think You Are?” veers between melody and internalised rage.

I’ve always had a failing for girls who decorate their guitars with reverb and Thayer Sarrano was therefore unlikely to disappoint me. Her song “Touch My Face” is moody to the point of bleakness but that surely is the point. I hear her voice even with my eyes closed.

Kind of old school, but in a good way, “I’d Take a Bullet for You” allows Daphne Lee Martin to highlight her ability to do the female singer songwriter thing even if the urban seasoning leads the song out of the suburbia where Carly Simon used to live.

Big of voice and not short of talent, Canada’s Clara Lofaro tells it like it and takes her song “Other Side” for a walk on the confessional side whilst making it another worthwhile addition to your rock solid collection.

Ok, so you will guess that this is an American band within the first four bars of “Big Man Baby” but Plastic Rhino are relentless in their pursuit of the robust rock song and Atara Gottschalk’s energetic vocal performance ensures that her place at the front of the band will never be in doubt.

Initially seeming so fey that irony must have been the true motivation for their song “Vultures” , Delta Mainline then neatly sidestep accusations of insubstantiality with a robust take it to the bridge and make those lighters wave in the air finale. Delta Mainline are the designer dress that you simply have to wear to all those festivals.

“Getting Outta Here” shows that Glasgow band The Burnt Bridges have the fighting spirit in them and, despite an obvious adoration for the three chord mantra of indie rock, they manage to punch above their weight and credit is duly given to the casually aggressive style of singer Mark O’Neil.

Endearingly naturalistic in her approach, Roslyn Moore transcends the awkward electro pop foundations of “Breathless” and makes the song a matter of the heart. All good songs start there.

The Division Men turn up the acoustic atmosphere and inject “Marionette” with just enough of the shadows necessary to put Caroline Rippy Portillo’s voice into the spotlight. Indeed they ramble but it is a good thing that they do.