Song reviews

Immensely elegant - and therefore piano driven almost by default - “Walls Cave In” shows Berenice Scott to be a performer of class and some distinction. Whilst it is unlikely that she would ever sing a song that would scare your aunt, Ms Scott is nonetheless rewardingly soothing to the ears.

Flynn, judging from “Luv” at least, is a seriously lightweight acoustic duo with Kate Nash and candy floss prevalent amongst their influences. That said, they possess a certain unforced charm that might be just enough to allow them to stand out from the crowd.

Wistful seems to be the theme of the week and Bronagh and The Boys turn “Green” into an earnest and touching song that will tug at the heart strings of many.  Underneath that obvious commercial appeal however are some downright quirky lyrics that suggest that there may be a knife wielding poet hiding amongst Bronagh and her boys.

Some wistful Swedish neo electro pop from Marie Lalá this time with “Without You” being the kind of lost love song that seems destined for an afterlife in karaoke land. You won’t want to sing along but you will. You will you will you will.

Whilst clearly of the sensitive singer songwriter persuasion, Queenfish & Other Tales – aka Ewa Wikström - takes a more thorough approach than normal with “Dive In” being both emotive and elegantly arranged and Ms Wikström’s voice hitting just the right balance between melancholy and dignity.

A rambling yet appealing seventies style rock song, “All Returns”  shows Wolf People to be a band in awe of a past that was, in all probability, gone before they were even born.  However, the male vocal makes the most of obvious folk influences and, with skilled musicianship bringing up the rear, the result is pleasingly atmospheric.

Once again disappointment is the order of the day for Algernon Doll’s “Cassini” proves to be yet another downbeat and interminable scuzzathon tripped up by too many influences and minimal musical skills. Simply dull.

They must be doing some serious genetic engineering out there in Scandinavia as they seem to have an inexhaustible supply of upbeat electro pop bands. “When My Heart Breaks” shows Vanbot to be another chip of the old retro block but there is absolutely nothing wrong with that and a good pop song is always welcome here.

A newcomer to the world of third rate laptop electronica, Jack Jefferson tries to put as many awkwardly edited sounds and inject as much unfortunate vocal processing into “Sin City” as his lack of imagination and ability will allow. No one should have to listen to this.

No idea who High Windows are but I reckon that I will have to find out.  “Knives In Our Pockets” is a jagged little song with unhealthy amounts of twisted guitars and impassioned vocals kicking it up and down the mean streets of the big city. I hear and believe what they are saying. (A free download from Bandcamp).

I am not a fan of minimalist – and usually inconsequential - ambient electronica and Jumpel’s “Blue Ceiling” would have been rapidly discarded were it not enlivened to the point of the hypnotic by the wistful vocals of Chloë March. Subtly beautiful.

Although locked in a sequenced time warp, Binary make with plenty of pleasant theatricality and consequently lift “G.O.D.” out of the ordinary and put it straight into the pockets of the nearest Coldplay fan. Unless I am greatly mistaken, this is what counts as commercial music these days.