Song reviews

Electro popsters like they used to make, Blindness riff it up over a rock sold beat to throw “Glamourama” over the wall of indifference into the arms of radio success. Whether anyone actually buys this sound nowadays is in question but this is nicely done in a suitably spirited and grungy kind of way. Underneath all the mascara though, Blindness have the makings of a proper rock band.

The Skunnered finally reveal their true folky  colours with this song. “Young Charlie” is all Jacobean rebellion and Aran sweaters which is more than enough to strike fear into my heart. As with their other songs however, “Young Charlie” is skilfully and likeably performed so I can’t really hate them that much even if I wanted to. I wonder if they have a song about Scotland’s greatest hero Alex “Tax Me In The Morning” Salmond?

“Stay Positive” is quite a sweet, piano driven song with uplifting lyrics like you might have expected of some post hippy era singer songwriter, Clearly musically educated,  Amy Sinha has the kind of endearing voice that can easily sell such sentiments even if the “band in a box” production lets the side down somewhat. However, if someone were to throw some cash in the general direction of Ms Sinha then perhaps great things could happen.

“Cordelia” is a delicate and beautiful song. There’s not much to it other than a simple piano figure and the most wondrous, and yet unforced, voice of Ms. Mango. Simply enchanting. No further words are needed.

Hard to believe that I missed this one from Glasgow’s own superdiva Ashley Collins. “First Love” is a fluffy bunny of a song that neatly pastiches all the plastic pop princesses that contaminate the charts these days. The lyrics are precisely pitched at a level for radio play and you can hear that extended dance remix coming right behind it. On a topical note, Glasgow’s pop princess is, of course, a class act and has always managed to keep her top on unlike certain other (real) princesses we could mention.

Thought I heard this one before but maybe not as I should have a mental block in all matters concerning Aberdeen. Anyway, venerable Glaswegians The Skunnered join “The Road to Aberdeen” and name check the cities and towns as they head up the A90 to hell.  It’s a good natured song that rolls along nicely but Aberdeen, believe me, is not worthy of this song. Or any other song for that matter.

Was I Supposed To” is a neat little Europop song that, given the amount of retro influenced music floating about these days, seems almost timeless in its execution. Robotic rhythms drive the song along while Cajsa Siik floats her sultry voice on top of it all.  Really rather nice.

“It Ain’t Over” is a delightful piece of summery pop music that cleverly mixes some bleak humour into the kind of upbeat confection about obsession that might seem sweet enough  to rot your teeth but, in fact, is destined to capture your heart. In fact, I’d go so far as to say that “It Ain’t Over” is the kind of song that Kate Nash thinks she can write. She can’t but Miss Li can.

The Skunnered return here with remarkable regularity. It’s like they enjoy pain or something. Anyway, "The De'il's Awa' Wi'The Exciseman” sets them on course for a mellow pub rocking Burns Night somewhere in probably not very sunny Glasgow. As usual, the song is performed in a good natured, easy on the ear way that will no doubt excite the ears of the sherry drinkers amongst you.

Instrumental jazz isn’t really my thing but it is undeniable that the Jurek Jagoda Trio have the practised fluency of talented musicians and “Swobodna” emphasises that fluency in a manner that Dave Grusin would surely approve of. Music for grownups, as they say.

Anything by Ken Stringfellow (of the Posies) is going to worth a listen but, even with that said, “Doesn't It Remind You of Something” is no less than a gem. In a tale that encompasses drug dealing, credit card fraud and domestic violence all delivered in deadly laconic tones, Ken and Charity Rose Thielen turn themselves into a modern day Nancy and Lee crashing their country powered car on the highway of life. Glorious!

In something of a contrast to their boisterous previous output, “Lost In You” is instead an emotional, and rather conventional, rock ballad. Chris Woods throws his heart into his vocals but, even so, the song ends up sounding a little flat. Nice enough but a better arrangement would have given the song more impact.