Song reviews


  Come Down by Sadie Jemmett


Come Down cover art


Class in a glass

Another song too good to be a demo so I must assume that this got misdirected into the pile of debris that normally comprises the Demo Corner. “Come Down” is the kind of mature song that they don’t seem to write anymore and is more akin to what you expect of a band of the cusp of folk and rock way back in the seventies with Ms Jemmett’s voice mixing maturity with an endearing vulnerability. Too good to be a demo and, in all likelihood, too good for these times.


Review date: 
  www.sadiejemmett.com

  Forget the Afternoon by End Of Neil


Forget the Afternoon cover art


From Stirling but not a castle

Singer songwriter time again. End of Neil – the trading name for Stirling songwriter Neil Stewart – does on occasion demonstrate a wry and laconic way with words, as he does with “Forget The Afternoon”, but otherwise founders on the sands of the inane, as with “I Was A Guitar”.  One day someone is going to explain to me why so many performers aim to be the next Mr Average.


Review date: 
  soundcloud.com/endofneil

  Wonderful Life by Saint Max


Wonderful Life cover art


Galloway soul searcher

I’ve always wondered what a demo by Morrissey would sound like. Well, now I know. “Wonderful Life” by Saint Max is no less than acoustic Morrissey style ennui in search of a decent guitarist. I think we’ve been here before.


  Born Near the River by Majestic Dandelion


Born Near the River cover art


Old heads on young shoulders

I’ve always liked the music of Majestic Dandelion so it no surprise to me that “Born The Near The River” is yet another of their songs that demonstrates that they have the song writing and performing maturity so often lacking in the ever growing pack of Glasgow bands. Majestic Dandelion may be folk rock in style but the key word here is style.  Sweet!


Review date: 
  www.facebook.com/majesticdandelion

  Awe + Struck by Sun Dogs


Awe + Struck cover art


Glasgow programmers

“Awe + Struck” is looped and sequenced but not really destined for the dance floor. Nor, despite the urban electronica ambience, is it really mood music either. There is a weedy vocal lost in the mix too and the end result, whilst not unpleasant, just seems to lack purpose.


Review date: 
  soundcloud.com/sun-dogs

  Take it or Leave it by The Beautiful Game


Take it or Leave it cover art


Indie rock at the crossroads

Not sure about this one.  “Take It Or Leave It” sounds too close to what you would expect of an average indie rock band yet the singer throws himself at the song like a man on a mission. I also think they should have let their axeman off the leash and turned this into a proper balls to the wall rock anthem.


Review date: 
  wearethebeautifulgame.com

  Radio Anna by Raymond Meade


Radio Anna cover art


Ronelle returns

Formerly of The Ronelles is Raymond Meade and “Radio Anna” is our Mr Meade striking out on his own. It’s a polished pop song that would be what was called in the good old days “radio friendly”. It’s got that sort of sixties feel good vibe to it too so it would make a rather fine song for the summer. If we actually get a summer, that is.


Review date: 
  www.raymondmeade.com

  For My Love by The Ambersons


For My Love cover art


Indie poppers with ambition

Two songs up before the firing squad this time. “For My Love” is neat and to the point with some oddly appealing plastic orchestration that suggests, of all things, ELO without actually being obviously retro. “The Circle Squared” turns up the passion and laconic humour somewhat but shows a similar attention to detail and that makes The Ambersons sound like a band of notable maturity. Too good to be shot…


Review date: 
  www.facebook.com/theambersons

  Break free by Luna Jamboree


Break free cover art


Soft rock shuffling

It is true to say that Luna Jamboree are easy on the ear and it is also true to say that they draw on the past for their soft rock inspiration so it will be little surprise to learn that both “Break Free” and “Some People” do nothing to offend your ears although only the latter song has sufficient focus to hold your attention.


  A Une Amie by Lilia Scandurra


A Une Amie cover art


Sensitive Italian songstress

An Italian singer singing her songs in French just has to be classy and Lilia Scandurra does not disappoint on that front. There is an understated elegance to both “A Une Amie” and “Parapluie” that suggests both repressed emotion and retro chic simultaneously. The mark of quality is clearly stamped upon her.


Review date: 
  www.liliamusica.com

  Through the Door by The Barrels


Through the Door cover art


West Lothian independents

Although the musicianship is distinctly rough around the edges, The Barrels show  promise with both “Through The Door” and “Blind” being closer to Britpop in feel than the justifiably much maligned indie rock so beloved  of West Lothian bands. Practice might just make them perfect if they follow that musical course.


  Somebody to Blame by Matt Johnston


Somebody to Blame cover art


Busker with ambition

On the lam from the band Haivercraft, Matt Johnston moves his style towards more conventional Scottish rock (Idlewild and perhaps even The Big Dish) with these two songs. “Somebody To Blame” strolls right down the middle of the road but is still a decent song. “Pacemaker” shows more spirit and style but our Mr Johnston’s delivery of both songs is a touch too polite to make that all important lasting impact on your ears.


Review date: 
  www.mattjohnston.co.uk


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