Song reviews

Damn, this one is smooth. I thought that the days of cocktail jazz had long gone but not, it seems, if you are Italian. Silvia Anglani puts not a, no doubt designer shod, foot wrong throughout “Odio Decembre” with the kind of confident and eloquent vocal performance that just reeks of class. Naturally, there is sax in abundance too.

“Cold Sweat” is a simple song but I suppose that it all you really need in these attention deficit days. However, this London based melodic indie rock band do sell it with some gusto but whether that is enough to make them stand out from the crowd remains to be seen.

“Nothing Wrong with Being Wrong” provides adequate proof that there is nothing wrong with being a Glasgow indie popster even in these days of cardigan wearing oversupply. Although politely performed and roughly recorded, the song nonetheless has an endearing, non-threatening quality to it but it is Nicola Rainey’s here there and everywhere vocal that saves the day and lifts the song above grey mediocrity.  For once, practice is all that will be needed to make this one perfect.

Bar-L is one Her Majesty’s holiday camps, in case you were wondering, so credit is due to The Skunnered for using it as a somewhat unusual inspiration for a song. Wry lyrics that would be Americana if this were Travis County instead of dear old Glasgow town carry this song along in a way that Ray Davies would surely approve of and I have to admit that I was soon singing the Bar-L Blues myself.

A bit retro and more than a bit rough around the edges, A Winters Education push their song “Swindling Sisters”, probably deliberately, into sub Smiths territory.  With a bit of tidying up, they could escape mere revivalism with this one. After all, that worked for the Felt Tips.

Minimalist electronic doodlings from what appears to be a one man and a laptop band from Birmingham, “North” sounds like a low budget Vangelis style soundtrack cue for the kind of movie that only ever got released on VHS and is none the worse for being that.

Full of mellow grooviness and seasoned with a tablespoonful of reverb, “The Coldest Corner” sounds like it has been pulled out a late sixties movie soundtrack and I reckon you will probably have to be of a certain age (or beyond) to fully appreciate this song. One to enjoy with a nice cup of tea methinks.

“Cruise Elroy” has an endearing, half way through a journey to retro radio friendliness, simplicity like, say, a cut back Weezer.  It is a demo so the songs suffers from a flat mix and it does drag on past its sell by date somewhat but if they polish it up then it should do just fine.

A rare occasion when a woman’s touch makes no perceptible difference at all, Elisa Luu’s “Se fosse per me” sounds like any other bit of sequenced serendipity determined to wander the airwaves without direction. Bedsit electronica, I know thy name!

I was just thinking that there must be some way to make the incredibly unadventurous indie rock genre more interesting and along comes Bristol band Call The Doctor. “Seventeen” would have been a dull thing indeed if it were not for the dramatic yet poised vocals of Patti Aberhart. Yes, add a girl with some undeniable style and indie rock gets interesting. Who would have figured that? Apart from me that is.

Not much to go on here apart from the info that JJ Quinlan is an Irishman now settled in Israel. Possibly the fun packed political situation in that part of the world inspired the earnest sentiments of “Revolution Road” if not its straight down the road eighties rock feel. Nice, fluid guitar work though that reminded me a bit of JJ Gilmour.

Had to listen to this one twice (which actually wasn’t too much of a hardship). “Leave It ‘Til Tomorrow” seems to be the work of a modern day Swedish band but sounds more like it had fallen off an album by an American seventies soft rock band like The Doobie Brothers. I suspect that you may have to be of a certain age or greater to get this type of music but it is nicely done here.