Song reviews

It makes a change to be able to say anything nice about Coatbridge and, for once, I can for Coatbridge band Feet of Clay have infused “Son” with enough casual confidence and guitar powered sounds of days gone to make it into a satisfying song.

Does London have soul? Maybe, for “Scarlet Woman” is the kind of song that could only come from an urban metropolis and Louise Golbey injects modern day sentiments and, dare I say it, soul into it. One for the cool cats, without a doubt.

Is this a sign of the return of the proper song? Could well be, for “Up The Nurses” relies not on technological gimmicks but instead on hook and melody as the main ingredients in Silverback’s recipe for ear candy.

There are days when you think you have played too many video games and, on those days, you want a song like “Up in Smoke” by Ænly as they, very confidently, can tick all the style boxes associated with a metal band and return you to earth.

Right on the money for the commercial ear appeal, Nienke Jansz locks her song “Sleepless” to the loop that leads to success. Catchy and upbeat, this is the kind of song that could charm both the dancefloor and the charts.

I like a bit of laconic indifference in a performance and Telquist provides just that and then uses it to drive his song “Taste” towards the land of the offbeat and downright quirky. If you have taste and style, this one is for you. Sweet.

I hadn’t expected Einar Vilberg to adopt the ways of the seventies rock band as effectively as he has and “Serve The Servants” duly resonates with musical purpose, deeper meaning and a guitar solo. A song like this needs a guitar solo.

Sensitive singer songwriters are back in fashion and Tali Shear is one of them. Her song “Fool” is one of regret and misunderstanding – which is as one might expect – but she benefits from an honest and direct approach to her performance.

I like a bit of career ambition and Lexxi Raine duly fuels her way forward with this, very modern, country flavoured song. “I Don’t Want Your Man” is as sharp lyrically as I would expect but her target is undoubtedly Nashville dollars. She deserves them too.

Infused with irony and power punk influences, “Legal Tender” guides you gleefully towards delinquency and that makes for a nice change. Let’s face it, Pabst rawk like bands did when kids still went to the mall.

A headphone song if there ever was one, “Hideaway” highlights the fact the Elis Noa are a duo who are more than capable of merging heart on the sleeve emotional intensity with electronic control. And so the night is here.

Few can keep anger going like Smiling Assassin so it is no surprise that “Divide & Conquer” has more punk powered fury in its sub two minute duration than most songs will ever have. This is an extra hot curry pot noodle of a song.