No doubt out of fashion now but I can still work up some enthusiasm for some upbeat indie rock and Concrete Club definitely give us some of that with “Jackie Don’t Mind” bouncing along on sheer energy and an endearing dash of theatricality.
You know a song like “Nostalgia” is going to be too cool for school when the mix of robotic synthesisers and shadow driven intent makes you want to wear black and smoke cigarillos. VV and The Void made me want to smoke a cigarillo.
“In My Heart” is a somewhat awkward mix of musical influences and languages with that multi-cultural concoction seeming almost at odds with Chris Pellnat’s laconic vocal delivery and rock star guitar. Well intentioned, nonetheless.
A solid retro funk groove from Sally Green – and Kurupt – with lots of loops keeping the train dancing on the track and there’s even a halftime rap to keep the nineties soul boys happy. It’s old school but fresh if you know what I mean.
I’m not entirely sure where a song like “Birds Before Rain” fits into the playlist of today but there is something endearing dramatic about the female vocals that would suggest inspiration by the more progressive folk rock bands of the seventies.
Done in the old school dream pop style, “Dry Run” rolls like lo-fi reverb is the only food your ears need and Hunters of the Alps keep it all full of mist and mellow fruitfulness as the song runs it course. Destined for a cassette release.
Not quite offbeat but not quite standard either is “Hiding” by Boudicca’s Bass Service. This is a low key song with some quirky tempo changes that work well enough to make your feet move of their own accord. Interesting.
That retro synth pop sound never gets old and Cosmicity duly pulls those sequenced patterns of days gone by together to weave “Overblown” into a cardigan of emotional nihilism. Stylishly bleak is the way of his world.
Once more into the underworld we go with Bullets and Octane mixing downright aggressive vocals and solidly metal riffs together to take “Vampires” on a walk on the metaphorical wild side. A band that wears black without a doubt.
Taking the retro train all the way back to the seventies is Shannon Smith with “Every Single Day” having both melody and sentimentality and never running less than straight and true. I don’t often get to call a song uplifting these days but this one is.
Norwegian band Permafrost pull some retro musical moves out of their creative hats and take their song “Wrong Heart” for a walk down the well-trodden path to the edgy guitars and laconic vocals side of town. The past is the new present.
Independent woman makes independent music with distinctly independent lyrics. EDIE turns “Cool Girl” into relationship management disguised as a radio friendly pop song. Guitars and a foot tapping chorus complete the illusion.
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