Song reviews

If you follow horse racing then you know it is all in the breeding. So it is perhaps no surprise that Scary Shapes - born of The Hussys and The Ten To Five Project it would seem - drive "Chatter" onwards and upwards with melodies and the constant use of chorus. "Common Sense" seems rather more mature and substitutes a bleak lyrical sensibility for singalongability and consequently provides proof that Scary Shapes can stand out from the crowd. Now, if I were a betting man…

"Sometimes" sounds just like the kind of song that a midrange Scottish band should release if it wants to court success. Driven on by guitars and inoffensively clever, Calm As The Colour have taken the safe route here but it is nonetheless a shame that they did not try a bit harder to stand out from the crowd. That said, I can see people liking this one. It's a lentil soup kind of thing.

The affection that Finnish band Mindeyes have for that polished to perfection rock that existed in the eighties is clearly evident in "Matter of Time" with the prerequisite impassioned vocals and obligatory extended guitar solo present and correct. "Gloria" takes the band convincingly into power ballad territory and, with the inevitable aid of a time machine, could easily have made them the soundtrack to a montage in Miami Vice. Almost as cool as Crockett and Tubbs combined.

Another song too good to be a demo so I must assume that this got misdirected into the pile of debris that normally comprises the Demo Corner. “Come Down” is the kind of mature song that they don’t seem to write anymore and is more akin to what you expect of a band of the cusp of folk and rock way back in the seventies with Ms Jemmett’s voice mixing maturity with an endearing vulnerability. Too good to be a demo and, in all likelihood, too good for these times.

Singer songwriter time again. End of Neil – the trading name for Stirling songwriter Neil Stewart – does on occasion demonstrate a wry and laconic way with words, as he does with “Forget The Afternoon”, but otherwise founders on the sands of the inane, as with “I Was A Guitar”.  One day someone is going to explain to me why so many performers aim to be the next Mr Average.

I’ve always wondered what a demo by Morrissey would sound like. Well, now I know. “Wonderful Life” by Saint Max is no less than acoustic Morrissey style ennui in search of a decent guitarist. I think we’ve been here before.

I’ve always liked the music of Majestic Dandelion so it no surprise to me that “Born The Near The River” is yet another of their songs that demonstrates that they have the song writing and performing maturity so often lacking in the ever growing pack of Glasgow bands. Majestic Dandelion may be folk rock in style but the key word here is style.  Sweet!

“Awe + Struck” is looped and sequenced but not really destined for the dance floor. Nor, despite the urban electronica ambience, is it really mood music either. There is a weedy vocal lost in the mix too and the end result, whilst not unpleasant, just seems to lack purpose.

Not sure about this one.  “Take It Or Leave It” sounds too close to what you would expect of an average indie rock band yet the singer throws himself at the song like a man on a mission. I also think they should have let their axeman off the leash and turned this into a proper balls to the wall rock anthem.

Formerly of The Ronelles is Raymond Meade and “Radio Anna” is our Mr Meade striking out on his own. It’s a polished pop song that would be what was called in the good old days “radio friendly”. It’s got that sort of sixties feel good vibe to it too so it would make a rather fine song for the summer. If we actually get a summer, that is.

Two songs up before the firing squad this time. “For My Love” is neat and to the point with some oddly appealing plastic orchestration that suggests, of all things, ELO without actually being obviously retro. “The Circle Squared” turns up the passion and laconic humour somewhat but shows a similar attention to detail and that makes The Ambersons sound like a band of notable maturity. Too good to be shot…

It is true to say that Luna Jamboree are easy on the ear and it is also true to say that they draw on the past for their soft rock inspiration so it will be little surprise to learn that both “Break Free” and “Some People” do nothing to offend your ears although only the latter song has sufficient focus to hold your attention.