Song reviews

Not sure about this one.  “Take It Or Leave It” sounds too close to what you would expect of an average indie rock band yet the singer throws himself at the song like a man on a mission. I also think they should have let their axeman off the leash and turned this into a proper balls to the wall rock anthem.

Formerly of The Ronelles is Raymond Meade and “Radio Anna” is our Mr Meade striking out on his own. It’s a polished pop song that would be what was called in the good old days “radio friendly”. It’s got that sort of sixties feel good vibe to it too so it would make a rather fine song for the summer. If we actually get a summer, that is.

Two songs up before the firing squad this time. “For My Love” is neat and to the point with some oddly appealing plastic orchestration that suggests, of all things, ELO without actually being obviously retro. “The Circle Squared” turns up the passion and laconic humour somewhat but shows a similar attention to detail and that makes The Ambersons sound like a band of notable maturity. Too good to be shot…

It is true to say that Luna Jamboree are easy on the ear and it is also true to say that they draw on the past for their soft rock inspiration so it will be little surprise to learn that both “Break Free” and “Some People” do nothing to offend your ears although only the latter song has sufficient focus to hold your attention.

An Italian singer singing her songs in French just has to be classy and Lilia Scandurra does not disappoint on that front. There is an understated elegance to both “A Une Amie” and “Parapluie” that suggests both repressed emotion and retro chic simultaneously. The mark of quality is clearly stamped upon her.

Although the musicianship is distinctly rough around the edges, The Barrels show  promise with both “Through The Door” and “Blind” being closer to Britpop in feel than the justifiably much maligned indie rock so beloved  of West Lothian bands. Practice might just make them perfect if they follow that musical course.

On the lam from the band Haivercraft, Matt Johnston moves his style towards more conventional Scottish rock (Idlewild and perhaps even The Big Dish) with these two songs. “Somebody To Blame” strolls right down the middle of the road but is still a decent song. “Pacemaker” shows more spirit and style but our Mr Johnston’s delivery of both songs is a touch too polite to make that all important lasting impact on your ears.

For a rock band claiming to be from the rougher parts of Scotland, Dirty/Clean seem rather tame with “Like You Always Knew” failing to escape from the combined shadows of Oasis and The Stone Roses. “Nothing” is a better song but the performances are again lacking in the sort of spark that might perhaps one day make a fire.

Light and meaningful in the way of young, thoughtful, singer songwriters, Craig White does a pleasant enough job of his song “Made Up Stories” but I have to observe that he really needs to man up if he is to stand out from what is a very large crowd of similarly sensitive souls.

From the primordial pool of Glasgow rock bands comes Death By Ambition. “Electric Rooster” flies the flag well for that sort of thing although the song stops just when it was getting interesting.  “Mirror Signal Manoeuvre” , on the other hand, is rather less successful with weak lyrics and an insipid male vocal dragging the song down.

A bit of a surprise here as JapanFour neatly escape the limitations of being a West Lothian band with “Garden of Eden”. Decorating the song with some sharp lyrics and a solid Britpop on the rampage groove lets the band stand tall over their geographic contemporaries.

“Good God (I’m On Fire)” has that eighties bombastic feel that you would expect of an American hair rock band aiming at the pop charts. There’s a big guitar solo, as you would expect, but the spotlight shines most brightly on the singer’s robust yet simultaneously camp delivery. Safe to say that Haivercraft got it just about right with this one.  “I Want You” shows a sensitive side to the band but that song is ultimately destined to be forever a flipside.