Song reviews


  Seventeen by Call The Doctor


Seventeen cover art


Female fronted indie rockers

I was just thinking that there must be some way to make the incredibly unadventurous indie rock genre more interesting and along comes Bristol band Call The Doctor. “Seventeen” would have been a dull thing indeed if it were not for the dramatic yet poised vocals of Patti Aberhart. Yes, add a girl with some undeniable style and indie rock gets interesting. Who would have figured that? Apart from me that is.


Review date: 
  callthedoctor1.bandcamp.com

  Revolution Road by JJ Quinlan


Revolution Road cover art


Displaced Irishman

Not much to go on here apart from the info that JJ Quinlan is an Irishman now settled in Israel. Possibly the fun packed political situation in that part of the world inspired the earnest sentiments of “Revolution Road” if not its straight down the road eighties rock feel. Nice, fluid guitar work though that reminded me a bit of JJ Gilmour.


Review date: 
  vibedeck.com/jjquinlan

  Leave It Til Tomorrow by The Plastic Pals


Leave It Til Tomorrow cover art


Swedes lost in America

Had to listen to this one twice (which actually wasn’t too much of a hardship). “Leave It ‘Til Tomorrow” seems to be the work of a modern day Swedish band but sounds more like it had fallen off an album by an American seventies soft rock band like The Doobie Brothers. I suspect that you may have to be of a certain age or greater to get this type of music but it is nicely done here.


Review date: 
  www.theplasticpals.se

  Uniform by Endless Loop


Uniform cover art


Oregon electro rockers

Retro time again with heavily sequenced eighties electro rock getting resurrected by Portland band Endless Loop. “Uniform” works out pretty well for them with appealing girl (Samantha Hughes) boy (Jeff Knight) voices emoting suitably bleak and disaffected words.  The past might well be their future.


Review date: 
  endlessloop.bandcamp.com

  La Processione by Muffx


La Processione cover art


Italian indie rockers

Italians just have more style. It’s a simple fact and “La Processione” provides ample proof of that. It is nothing more than indie rock but nonetheless swaggers mercilessly under the weight of its inherent refrigerator coolness with Luigi Bruno’s vocals talking the talk while the rest of the band walk the walk. Almost as good as a Fiat Dino Coupé.


Review date: 
  www.muffxmusic.com

  Hellbent by Who's Edna


Hellbent cover art


Five rocky poppers

Though they appear to hail from Edinburgh, Who’s Edna sound more than a bit mainstream American reminding me here of bands like The Hush Sound.  “Hellbent” uses a piano to good effect to lift this mid paced rock song out of the mire of mediocrity and there is endearing normality – for want of a better word – to the female vocals.


Review date: 
  www.myspace.com/whosedna

  The Human Connection by Sonic Templars


The Human Connection cover art


Rock band with a heart

In its favour, “The Human Connection” is a decent song and the lead vocal is convincing. That said, and this is a common failing in Scottish rock bands, Sonic Templars then trip themselves up with an unimaginative guitar player – I’d go so far as to say that he (?) sounds (badly) looped – and a lack of individuality to their sound.  They need to try harder, basically.


Review date: 
  www.myspace.com/sonictemplars

  Elm Row by Ded Rabbit


Elm Row cover art


Edinburgh indie funkers

Despite being a band of actual brothers, Ded Rabbit don’t really seem to gel. That said, “Elm Row” has an endearingly funky feel to it and “We Could Be Free” is (indie) rockier but similarly good natured. The bigger problem, however, is the singer who struggles badly with the key he is trying to sing in on both these songs.


Review date: 
  www.facebook.com/dedrabbit

  Anemone by The Dirty Keys


Anemone cover art


Glasgow's Tuneful Tinklers

Even the title suggests that this will be an upmarket tune and “Anemone” is indeed used as an educated rhyme for "…not your enemy”. Otherwise, this keyboard driven and somewhat world weary song reeks of smoking jackets and Noel Coward which is a good thing, by the way.


Review date: 
  www.facebook.com/dirtykeys

  Always Yours by Daniel Joseph featuring Dion Rushe


Always Yours cover art


Wholesome London duo

A nice slice of non-threatening mid-paced housewife-friendly pop from a London based duo. “Always Yours” is a bit dated in its production and goes on a good minute and a half longer than it needs to but at least there is plenty of heart in the vocals.


  Chatter by Scary Shapes


Chatter cover art


Edgy indie popsters

If you follow horse racing then you know it is all in the breeding. So it is perhaps no surprise that Scary Shapes - born of The Hussys and The Ten To Five Project it would seem - drive "Chatter" onwards and upwards with melodies and the constant use of chorus. "Common Sense" seems rather more mature and substitutes a bleak lyrical sensibility for singalongability and consequently provides proof that Scary Shapes can stand out from the crowd. Now, if I were a betting man…


Review date: 
  www.scaryshapes.com

  Sometimes by Calm As The Colour


Sometimes cover art


Idle but not wild

"Sometimes" sounds just like the kind of song that a midrange Scottish band should release if it wants to court success. Driven on by guitars and inoffensively clever, Calm As The Colour have taken the safe route here but it is nonetheless a shame that they did not try a bit harder to stand out from the crowd. That said, I can see people liking this one. It's a lentil soup kind of thing.



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