Song reviews

Piano led and elegantly contrived, “Mourning Sun” by Mike Brunacini tickles your ears with a combination of poetic literacy and showtune sensibilities. A song that does indeed sound like it would belong in a musical.

There is concentrated goodness to be found in “Slow Decay” with reverb aplenty, cascading guitars, sweeping synths and wistfully ethereal female vocals combining in the mist to thus make Rose Haze more than just another shoegaze favourite.

Some songs have shape and form and some simply go with the flow. “Parasite” by Cosmopolis certainly falls into the latter category with the combination of a spaced out vibe and bleak and misty lyrics evoking the intended uneasiness.

Never content with driving down the centre line, SunQ veer between prime period rock and theatricality as they take their song “Animals” towards the sunset. Loads of guitars and appealing female vocals make the journey worthwhile.

Sequencing charm into a song isn’t easy yet “Denial” is an example of the right way to do it. Looped old school electro beats keep the power coming on strong while those stylishly oblique female vocals sprinkle sugar on top. Cooler than a refrigerator.

It must be a European thing. “Break Away” rumbles and grumbles in that curiously retro way of post rock bands like Cani De Portici do to reinforce their determination to use the pure instrumental format to break down some invisible walls. Brooding.

Pleasingly jagged and oblique, Gorgeous take their lo-fi vibe and apply it liberally to “Raindrop” to thus alter it from a potential indie pop anthem into near arthouse posturing. Some songs are deliberately difficult and this is one of them.

Brooklyn duo Teeniest keep it low key and “Hold On To Dawn” duly makes a discrete run for the finishing line. The guitars mesh nicely with the vocals in the way things were done in more organic times and the end result pleases the ears.

Emo Swedish style from Tribe Friday with “Swimsuit” demonstrating that absorbing all those old school American influences isn’t as much of a handicap as you might expect. The guitars carry the song but the heart is still in there somewhere.

There are times when I think the evil Nashville will take over the world and sometimes, I think there is still hope. Julia Poorman gives me hope as her song “Upstream” engages folk rock first gear to entrance my ears.

I like a bit of quirkiness in the morning (and evening) and Mary Hennessy duly twists things just a bit out of shape and thus gives her song “Teeth” the bite it needs. It’s the perfect montage song.

Kind of grungy and full of what sounds like deliberate distortion, “Silver Thread” scrapes the wall with its sonic abrasiveness. Nonetheless, there is a guitar solo and Anna’s Bones do kick the chorus out of the park so the song is one for me.