Song reviews

“Fire and Flame” runs slowly but surely to its conclusion giving Sabina Chantouria plenty of time to play all the traditional cards that get those who like a bit of emotional drama with their music into their happy place. And it is therefore so.

Oddly compelling, “Dreamer” shows that wistful still has a place in modern day music and that Dancer can scale up beyond their influences to make a song that fits right into your ears. It’s alt-pop but rather good nonetheless.

Some might see “Paradigme” as just an exercise in style but La Femme are from France so such a thing is to be expected. Think Kraftwerk translating their thing into electroswing whilst drinking expensive cocktails. A song for the good life.

Some songs just seem borne of dystopia and, indeed, “Frozen Pizza” is one such song. LINN drifts her words and music into lo-fi looped square holes as if to provide a soundtrack to those who have woken up and found themselves in an open prison.

“Glory” plays like an excerpt from the kind of musical that should get a government grant in these miserable times with Ben Seals throwing his all into the song with gloriously camp fervour. It’s a showtune for our times.

Is there such a thing as a thinking man’s singer songwriter these days? Crawford Mack certainly appears to be one with “Firing Squad” having the sensitivity and scale to give his poetic words resonance. Not upbeat but uplifting nonetheless.

Almost thinking this song was a plastic cousin to glam rock but the swirling shadows Bryony Williams adds to “Knockin’” provide more than enough propulsive power to achieve orbit over plant Earth. Grumbling, stumbling and yet speaking sense.

You can’t really complain when a conventional song is competently delivered to your ears and that is what “Let’s Slip Away” by Jessy Yasmeen achieves. It is the kind of song that will easily get added to radio playlists everywhere.

Loop me baby one more time. “3'S a Crowd” has that bedroom meets mall vibe but Madison Olds keeps her words sharp and duly draws more blood than you might expect of one with so many retro plastic moves. Well worth a listen though.

Resoundingly mature in sound, Lauren Moon pulls a handful of style out of the Robbie Robertson bag of old and turns “What Goes Round (Comes Round)” into a fluid and hypnotic song that simply screams out for product placement. I’d buy it anyway.

You wouldn’t think that a band from Israel would have Britpop as an obvious influence yet “Boy I Love You” shows that Iris Hill have indeed followed that particular musical path and, once again, intelligent pop music takes it all the way to the bridge.

Made with a bit of Americana, a bit of modern day country and topped off with a dash of sugar coated charm, “We Could Be High” highlights Anna Krantz’s ability to produce easy on the ear and radio friendly songs that sound great in a car.